Alternative country meets the rockabilly revival meets California guitar virtuosity in the music of Rosie Flores. Since the late ’70s, guitarist, singer, and songwriter Rosie Flores has been an important figure on the alternative country scene in both Austin, TX, and Los Angeles. She’s a hard-working, independently minded artist who’s well-respected for her gritty, energetic vocals and fiery guitar solos.

A native of San Antonio, Flores moved to San Diego with her family when she was 12. Her family encouraged her singing and guitar playing, and as a girl she soaked up the sounds of southern California — surf guitar, country and country-rock, blues, and rockabilly-flavored garage rock. By the time she was in her teens, Flores was playing in a band called Penelope’s Children. During the first explosion of punk rock in the late ’70s Flores formed Rosie & the Screamers, an otherwise all-male band that played hard country and rockabilly material, much of it written by Flores herself. She worked as a solo acoustic artist for a time but then formed an all-female punk band, the Screaming Sirens, who recorded the album Fiesta in 1984.

Rosie Flores In 1987 Flores recorded her first solo album, Rosie Flores, produced by Pete Anderson (Dwight Yoakam’s producer and guitarist) and released by Warner Bros.. The album gained critical acclaim, and among music-industry folk a Flores concert remains a strong draw to this day. But it was only modestly successful commercially, and Flores was dropped by Warner Bros.. She signed with the California independent label Hightone and in 1992 she released her second solo album, After the Farm, followed by Once More with Feeling a year later. These albums featured original songs by Flores, her own sharp guitar leads, and crackerjack session work from a variety of Los Angeles veterans. Flores then spent the better part of 1994 playing lead guitar in Butch Hancock’s band.

Rockabilly Filly In 1995 Flores recorded Rockabilly Filly, a spirited tribute to the music she grew up with. The album featured duets with her longtime idols Wanda Jackson and Janis Martin, both of whom Flores brought out of retirement for the project. The album led to a cross-country tour with Jackson, who hadn’t played in nightclubs in over 20 years. In 1997, Rounder re-released her Warner Bros. debut along with six new bonus tracks under the title Honky Tonk Reprise, helping to sustain the momentum of her career. That same year, the Austin label Watermelon released her duet project with Ray Campi, entitled A Little Bit of Heartache. In the late ’90s, Flores moved to the folk-oriented Massachusetts label Rounder, pushing the stylistic mix of her music slightly in the direction of rockabilly but not really changing course. The 1999 live album Dance Hall Dreams was recorded at a San Antonio country club and featured several of the top session players Flores has always been able to attract, among them Texas steel guitar stalwart Cyndi Cashdollar. Flores released Speed of Sound on the Eminent label two years later, offering yet more original songs as well as a scorching cover of Buck Owens’ rockabilly classic “Hot Dog.” Flores offered her fans an intimate perspective on her music with the solo acoustic live set Single Rose in 2004, and an album of country- and rockabilly-styled holiday favorites, Christmasville, followed in 2005. After a short hiatus, in 2009, Flores celebrated over two decades of recording with Girl of the Century, an album recorded with the Mekons’ John Langford and the Pine Valley Cosmonauts for Bloodshot Records. Her raucous 11th album, Working Girl’s Guitar, which appeared in 2012, was the first in which she handled all the production and guitar leads herself. Prolifically creative, Flores deserves to be numbered among the creators of the alternative country movement. Her career, never really flagging, has outlasted those of a host of other acts in that fast-moving genre.

AMAZING HEEBY JEEBIES was born in the back seat of a ’63 Caddy tearing down Highway 41. Amazing Ary and Earl “Wolfdaddy” knew they had created something that could be a sinners delight. Neighbors curiosity grew hearing the two bang out what became the foundation of AMAZING HEEBY JEEBIES.

Chicago Artist Ary started painting at a young age..but visual art was just not enough. When she turned 21, she became a regular fixture lurking in the shadows of the hippest live music shows mingling with international party girls, hep cats & kittens…now cutting her teeth as a musician/songwriter/performer, taking souls & rockin’ bones on stage for the first time…raawwwr! This petite bad girl packs a powerful vocal punch like nobody’s business. Her live performances show her provocative but sweet style, invoking artists from past and present, from blues to punk, hell raisin’ rock n roll with a twist and shake of vintage kitsch.

Earl “Wolfdaddy” Carter is also one of the two original members of The Riptones, and before that he was in numerous other insane notable local bands (Deacons, Deke Rivers, Rebel Rousers, The Buzzerds, and the late and great Elvis impersonator Tom Green). Slappin’ & howlin’ in league with the hellhounds from the blazin’ fires of nitro moonshine madness, Wolfdaddy will make you scream!

Meanwhile, back at the ranch….other talented son-of-a-guns joined in;

Randy “Doctor”” Carter: Guitar/Mandolin (bluegrass band Slightly Bent). Creating the monstrously sick incurable sound deep within your brain-that will haunt your memory in that feel good kinda way.

Bob “Be-Ware” Hyatt: Guitar/Vocals (Los Diablos, Red, Hot and Blue, Riptones). Bob’s brooding and dangerously dark songwriting and sounds will start rumbles and will make you kids run to your mommas.

Tom “Boss X” Klein: Guitarist Extraordinaire (Liquid Soul, Country Doctors, Razorhouse, Ambassadors to Earth, and in the past, Spies Who Surf). The mystery behind the mayhem, this assassin of sound will cause explosions and riots with only six strings.

And last but not least the king of swing Danny “Danny Boy” McClain on drums (Los Diablos, Red Hot & Blue). Banging to the drum of his own primal beat, invoking crazy voodoo magic, makin’ you twist, shake and move your feet.

Together this bizarre musical powerhouse is putting a spell on amazed crowds everywhere including the hottest spots in town, various hotrod shows, and other footstompin’ happenings. Too dangerous to stop. Too gone to turn back jack!

Best described as “Dixiefried Garagabilly” drawing on various eras and genres from hillbilly, gritty blues, 60’s garage punk, deep from the underworld of moody psychotic rock n roll!.