Since ’94 Authority Zero has brought their unique signature blend of anthemic melodic-punk and reggae to the masses. A lot has changed in the 20 plus years since the band got their start and they’ve found a way to persist and thrive in today’s ever-changing music world. “It’s been a long trek,” says Jason Devore (singer and longest running member of the band) as he recollected on the band’s past. The band was formed in the mid 90’s in Mesa, AZ by a group of high school friends with ample ambition but no lofty expectations. After a few years, they refined and established their sound: a mix of SoCal punk with reggae and ska tendencies. With the release of their debut album A Passage in Time (2002, Lava Records), the band’s career gained momentum quickly and they’ve since spent their fair share of time on the road, having toured extensively with such acts as Pennywise, Sum 41, Flogging Molly and many more. In recent years Authority Zero has gained momentum internationally, spending time on the European festival circuit as well as stints in Japan, Australia and even Russia. They’ve released a total of 5 full length studio albums (most having seen spots on Billboard’s Heatseekers Chart), and their music has been featured in numerous video games, tv shows and movie soundtracks throughout the years. The band’s many successes have been accompanied by a few bumps in the road (as to be expected for any group that’s been around over two decades) including a slew of line-up changes, music industry letdowns, and most recently having their van, trailer and equipment stolen while on tour in Texas. Their secret to the longevity is simple: keep it pure and believe in your music.

Now, 23 years since the band’s inception, the future remains as bright as ever for Authority Zero, consisting of singer Jason DeVore, bassist Mike Spero, guitarist Dan Aid and drummer Chris Dalley (also in Pulley and Implants). Eager to move forward, the inspired new line-up started working on a batch of songs that will become the band’s sixth full-length record. “We’d gone through a couple members during the writing process the last few years, so we’ve kind of written this record twice. We had about 12 or 13 songs put together, a couple of the guys took off and we kind of had to start from scratch with what we did have from songs I had or Mike [Spero, bassist] had written, and build off of that,” says DeVore. They did their homework before rushing in to record the new tunes. “We really did honestly have more pre-production and a grasp on what the songs were going to sound like before we went in [to the studio] in a long time. This time things were really well put together,” says DeVore.

The band entered Fort Collins, Colorado’s legendary The Blasting Room Studio (Rise Against, Descendents, NOFX) in December of 2016 to start work on yet-to-be-named new album with producer/iconic punk drummer Bill Stevenson (of Black Flag/Descendents fame) at the helm. The process was unique: the whole Blasting room team (Stevenson, Andrew Berlin and Jason Livermore) worked on the record cooperatively, resulting in a highly efficient synergy they’ve developed though years of refinement. DeVore describes the process: “It was really cool. It was like a one stop shop where they are consistently working on the record in 5 different rooms. When one piece is done with the drums, it moves on to editing. While that’s happening you are working on the bass guitar or the guitars and getting all those tracks done with Andrew. It just keeps on moving around and around in a big circle to keep the process moving. They’ve got their formula and it’s works really well.” The band also stayed at the studio for the three and a half weeks during these marathon recording sessions. DeVore fondly reminisced on the process: “It became like the bat-cave ’cause you didn’t really know what day it was, or what time it was or anything ’cause you’d go out in the morning first thing and the next time you went out it was dark again. It was cool in that regard but it also messed with your head a lot. It was a brilliant process; we had such a good time out there. Bill would be there tracking vocals with me for 13 hours straight and he’d stick around and drink beers with me after in the kitchen and just tell stories, ya know? It was pretty cool, man … and a different experience than I’ve ever had.” Stevenson enjoyed working with the band as well: “Authority Zero proved to be a perfect fit with The Blasting Room. They showed up with great songs and we had the very best of times hanging out together — and just as much fun sharing our creative perspectives during the arrangement and recording process, all of which resulted in a really cool record.”

DeVore describes the direction of the new material: “It’s really going to be an exciting album. It’s a combination I think of The Tipping Point [released in 2013] meets the first album A Passage in Time. It’s really taking a step back to take a step forward — in the sense that you get a little more of what you feel like a lot of the kids that have been around for a long time have been missing out on a little bit, I think. There’s also some stuff on there that some people won’t have heard before I think as well … they’ll be like ‘that’s what band again?’ There’s a couple of surprises on there too that might throw people back a little bit — but in an exciting way. I’m pretty excited man. We’ve done about 15 tracks and we’re debating if we are going to use all 15 or hold off on a couple for bonus tracks.” The band shared an advance mix of the new record with longtime friend Jim Lindberg (singer of Pennywise) who liked what he heard: “Authority Zero are a great American band. They bring it every night they play and on every album, and this one is no different. It’s melodic hardcore at it’s best. Authority Zero bring it. Always.”

The new album will be released via Jacksonville, Florida’s Bird Attack Records, who is quickly developing an extensive roster of both up-and-coming and established acts in the skate/melodic punk genre — a perfect fit for Authority Zero. “I talked to [Bird Attack] a little bit at Music for Cancer in northeast Canada, they had some stuff going on there. Our biggest conversation was really out in Europe. We did some interview stuff with them and spoke a bit about the possibility of working together. As time went on and as the record started coming together, they stayed in contact and seemed somewhat more adamant than any other options that were coming about. They were excited to work with us as a band, and to me that’s the main thing you want to hear from anyone who’s a label these days — that they’re actually excited to put out the record and and care about it as much as you do. They showed a real desire to help us out, do the best they can with the record as far as the push goes, and get it out to the most people they can. That was a real exciting thing and it was always a thing we turned back to,” says Devore.

Authority Zero and Bird Attack are aiming for a summer 2017 release for the upcoming album that will be shortly followed by a full US tour, the first for the band in a while. Subsequent international touring is being planned as well to support the new album for Europe, Japan and possibly South Africa. DeVore is looking forward to it all: “It’s hard to say what’s going to happen or come up but hopefully all sorts of fun things.”

Following the release of their self-titled debut in 2004 under their own imprint Punch-It Records Chicago’s Counterpunch began their journey into both the US and international markets. Touring both domestically and abroad brought them opportunities to play along side Rise Against, Strung Out, and Pennywise amongst other stalwarts in the genre. 
 2011 saw the band release their second LP, titled ‘An Idiot’s Guide to Being an Asshole’ with Go Kart Records. Multiple European tours and festival stops later, the band was ready to step into the studio with Matt Allison to record 2014’s ‘Bruises’. Released in 2014 by Cyber Tracks Records, this release saw the bands most extensive touring regimen to date. Hitting the road alongside the likes of Face to Face, Strung Out, NOFX, The Living End, Good Riddance and more brought them in front of their largest audiences to date. 
 In 2019, the band stepped into Black in Bluhm studios in Denver to record their 4th LP just before COVID shut down the world. In light of facing a new normal the band hit the pause button on releasing their latest full length effort, deciding instead to put out a 7″ record with a few of the B Sides from the Black in Bluhm sessions. Teaming up with Thousand Island Records and SBAM Records to bring the world a snapshot of the new era of Counterpunch. 
 Their newest LP ‘Rewire’ was released in June 2022 both from Thousand Islands Records and SBAM once again.

Your Friendly Party Punk rock Hooligans from Chicago

The year was 2006. The day was no different than any other Fall Day in Normal, IL. Five guys got together for the first time in a cramped basement to start what can be described as a true underdog story that they only slightly remember. Fueled by Admiral Nelson and a desire to write uninhibited Party Punk The band started playing house parties, winning numerous local battle of the bands and the hearts of every college kid they played in front of. To them this was success, they wanted to drink for free, and play one hell of a party every night. However, in the back of their minds they knew there was a great big world out there and if they ever wanted their brand of debauchery to reach the masses they’d have to expand on their college circuit.

In the Spring of 2009 frontman Jason Fein was surfing the world wide web, for what he still refuses to speak of, but in doing so he stumbled upon an International Battle of the bands. The winner of this contest got to play one of the main stages at SummerFest in Milwaukee, opening up for Blues Traveler and Tom Petty. Jason, not thinking much of it, decided for the hell of it he would enter their latest single “Runaway Mexico” into the contest. He didn’t even tell his band he did so for the first couple weeks. After all, there were 776 other bands across the world in this contest and they were just a small time College band. After the second week of being in the contest the band had climbed from the bottom to the 223rd spot. Thinking this was news worthy for his band mates he decided to mention it at that point. Within a month, the band had reached the top 50, two months, the top 10 and by the end of the first round the band had over 100,000 votes and was firmly locked in the number two spot. The top 4 bands went on to the final round which was three weeks of the world voting on their favorite band based on their entire catalog. Still, forever the underdogs the band knocked off three other more experienced bands to put them from a college basement band to playing the biggest Music Festival in the world.

Many bands would have peaked at this point. After all, how do you top that? Well, within a month of them playing the festival they had signed their first Management contract. This contract put them on stage at The famous Congress Theatre in Chicago. Shortly after that they signed their first record deal with the now defunct Window Licker Records but before that they released their most successful album up that point entitled Side Effects May Vary. The album’s biggest single “The DEA” got them nation radio play including Chicago’s late/great Q101. The band took this album and hit the road playing twenty different states across America and gaining hundreds of fans a night helping fund their completely DIY tour schedule. For This band, being independent and doing it themselves was never an issue. In fact, it’s what felt most natural. After all, in their heads they were still the band playing in that cramped basement in Normal, IL.

A year later and many management, artist development and record label conversations the band finally got tired of handling everything themselves. At this time they met Rafay Qamar, a young but driven band manager who immediately saw and fell in love with The Run Around brand. For the band, going to someone unknown but eager was exactly what they needed. Now, they could focus on writing the long awaited follow up album to Side Effects May Vary that their fans were growing more and more impatient for by the day.

In The Fall of 2012 The Run Around released what would easily be their most impressive and impactful body of work yet in Welcome to the Circus. Their CD release show was to a sold out Hard Rock Café in Chicago and they haven’t looked back yet. At the same time they released a video for their biggest single to date “Chicago” that has over 30,000 plays. Everyone that has heard that song has said the same thing “I can’t wait to hear that song in Chicago sport stadiums.” Since the release the band has helped pack and sometimes sell out The House of Blues, The Metro, Reggies, The Cubby Bear and Durty Nellies just to name a few.

Just like their music, The Run Around fans are rowdy and dedicated. One thing that hasn’t changed from the frat party basements, this bands stage show and energy goes unmatched. Their albums will draw you in, there live show will make you a lifelong fan.