Fuck those Beatles squares: New Jersey’s DEP are incontrovertibly the greatest band the world has ever seen. The evidence is threefold. One: they mash together squiddly jazz guitars, death metal and ‘challenging’ time signatures into a huge spiky ball of noise. Two: on their new EP, Faith No More/Tomahawk nutjob Mike Patton runs around in a gas mask screaming how much he hates Hollywood. Three: herein is a version of Aphex Twin’s ‘Come To Daddy’ which makes the original sound like Charlotte Church.

A bastard child born of the mid 90s punk/metal/hardcore movement, Washington, DC’s DARKEST HOUR combine the passion, energy, and soul of punk/hardcore with the style, speed, vengeance and fury of melodic speed/thrash/death metal.

DARKEST HOUR have helped defined the entire New Wave of American Metal sound as one of the pioneers of modern metal/core. A sound that gave the metal and hardcore/punk world the revitalization it surely needed. This style blended the raw, hardcore punk of the 80s, with the Scandinavian death metal of the 90s and forged a sound that would later become the template for modern metal.

Since their inception 23 years ago, Darkest Hour has released 9 studio full lengths (via 11 different record labels), appeared in major motion pictures, US television shows, video games, and have toured the world extensively covering 6 of the 7 continents.

Darkest Hour is: Mike Schleibaum – Guitar John Henry – Vocals Nico Santora – Guitar Aaron Deal – Bass Travis Orbin – Drums