For 31 years, the NYC-based and critically acclaimed Slackers have been touring the world with their blend of Ska, Reggae, and Soul.
Since 1991, the Slackers have released fifteen albums and countless singles, while their 1000s of live performances feed their fans with energetic sets of ecstatic music.

The press state that the Slackers are “the best ska band in the world” (Rude International), “the pick of the US crop” (Metal Hammer), “the sound of New York’ (New York Times), “is about as close to perfect as it gets” (Ink 19), and “one of the best bands in the United States” (axs.com).

In April 2022, The Slackers released a new album, “Don’t Let The Sunlight Fool Ya” (Pirates Press) which quickly shot to the top of the US billboard charts. This is the first time that a Slackers’ album has charted! Ironically after 30 years as a band, this qualified them as a Billboard ‘new artist.’ The Washington Post noted that the Slackers “remain at the top of their game.”

The chart topping performance of “Don’t Let The Sunlight Fool Ya” capped a 2 year comeback of the Slackers. When Covid stopped live shows in 2020, the Slackers pivoted to livestreams and made 5 full band concerts that were broadcast internationally. After the shows, they stayed in the studio and recorded the tunes that became Sunlight.

Returning to live gigging in the 2nd half of 2021, the band celebrated their 30th anniversary with 30 shows across the United States and Canada.

In 2022, the Slackers have 90 shows booked in the United States, Canada, UK, and Europe. At 31 years old, the band has been renewed and is looking to grow their cult following into its 4th decade.

The Midwest doesn’t necessarily seem like an obvious spot for an up-and-coming ska band. In fact, Indianapolis is worlds away from the crazy Kingston nightclubs and layered London streets that help craft the genre’s sound. Regardless of what the globes and maps say, The Circle City Deacons have made quite an impression from their Hoosier home base.

The core of the Deacons started playing together in Indianapolis pop-punk group The Latch Key Kids, which disbanded in 2008. Following the demise of the Latch Key Kids, keyboardist Craig Gorsline and bassist Joe Escamilla began to rediscover the off-beat sounds of ska, rocksteady and reggae. Once it was apparent that they had to start playing music again (and that it had to be ska), the band reconnected with Latch Key Kids’ guitarist Patrick Feeney and enlisted the help of Justin Smith on drums.

The band debuted as a hornless four-piece in Indianapolis in 2010. The Deacons had their work cut out for them, carving a niche in an often disjointed and ska-less local music scene. The band stuck it out, however, paying their dues while playing around central Indiana. The hard work paid off, though, as the band developed their sound as well as a fan base.

As the band played more and more, they caught the attention of a few horn-playing ska enthusiasts, namely Heath Schlatter (trumpet) and David Ragsdale (saxophone). With the full line-up and a full sound, the band really started attracting attention. Since 2011, the band has played with national and regional acts such as The Pinstripes, Blacklist Royals, The Toasters and Green Room Rockers, just to name a few.

Musically, Gorsline lays the groundwork for the band’s sound with his gravely vocals laid over his smooth organ playing. Coupled with an adroit rhythm section, the melodious horns form a fantastic sound that melds past, present and future. The island sounds of Peter Tosh and Toots and the Maytals are apparent in the Deacons’ tunes as are the revivalist sounds of The Slackers and The Toasters. While the Deacons have no reservations about acknowledging their influences, there is no doubt that they are pushing forward into a sound all their own.

Sharing a stage with bigger, more seasoned acts has helped the Deacons hone their songwriting skills beyond most expectations. After kicking around a demo for a year, the band finally settled down to record their debut record, Right With Time. Featuring twelve Deacon originals and offbeat, Rocksteady verison of Lee Dorsey’s “A Lover Was Born”, Right With Time is bound to become a cornerstone in the Midwestern DIY ska lexicon.