HIRAX began in Los Angeles in 1984, but because of the weak metal scene in their area, they spent most of their time playing in San Francisco along with Slayer, Metallica, and Exodus, who were all part of the exciting new metal emerging from the Bay area. The original lineup was Katon W. De Pena (vocals), Bob Savage (guitar), Gary Monardo (bass), and Brian Keith (drums). They released a four-song demo in 1984. Their songs at the time were more similar to the metal bands such as Saxon, Tygers of Pan Tang, Judas Priest, Iron Maiden and the New Wave Of British Heavy Metal period. This demo was widely circulated and the band became known and respected worldwide through the metal tape trading underground.
Later in ’84, guitarist Scott Owen and drummer John Tabares replaced Savage and Keith. Influenced by such great acts as Motorhead, Anvil, and Venom, Vocalist De Pena wanted the band to go in a heavier and faster direction musically; and HIRAX’s thrash metal style was born.
Because of their notoriety in the underground, HIRAX were signed to Metal Blade Records and contributed a track to the legendary compilation “Metal Massacre VI,” which also featured Slayer, Voivod, Celtic Frost, Fates Warning, Metal Church, and Trouble. HIRAX contributed the track “Bombs of Death,” which was the first song recorded with the new line-up. The bands on the “Metal Massacre VI” compilation were at the forefront of a new metal movement and the record sold well.
“HIRAX, along with label mates Trouble, Slayer, Celtic Frost, Voivod, Destruction, and Possessed, helped start something very, very important that has lasted the test of time,” said vocalist Katon W. De Pena.
Destructor, Cleveland, Ohio’s legendary premier power/thrash band, return to Auburn with their new 2003 “Sonic Bullet” release. The extended EP contains 46 minutes and 9 tracks of ripping, over-the-top, pounding Destructor-style molten heavy metal!
Auburn president Bill Peters’ first encounter with Destructor was seeing the band perform their very first ‘live’ show in 1984 at The Pop Shop, a club managed by Chris Andrews and located beneath the historic Cleveland Agora. Already working with bands such as Breaker and Shok Paris at the time, Peters fell in love with the band’s untamed energy, great songwriting, wild spirit and charismatic stage presence. The Cleveland metal scene was dominated at the time with ‘technically’ great sounding bands. Many questioned why Peters would choose to work with a band such as Destructor and how he could possibly record and capture the band’s energy in the studio. After all, Destructor were considered to be one of the area’s most ‘anti-technical’ of bands at the time. Despite the rough edges and regardless of the criticisms, Peters had a vision that Destructor could develop into something special and saw something in them most of his industry peers did not. He took a chance and moved forward, signing Destructor to his Auburn label in 1984. The band entered Suma Recording Studios to begin recording their debut album with engineer Paul Hamann at the helm. Destructor’s “Maximum Destruction” album, released the following year in 1985 on Auburn Records, is considered by many to be an underground metal classic and quickly silenced the critics. It became Auburn’s biggest seller and catapulted the band to international success in the metal underground. The album was licensed to Roadrunner Records in Europe several months after the initial release and later reissued by Listenable Records in 1999. Destructor’s crushing ‘live’ performances in the area, both headlining and opening for national acts such as Anthrax, Slayer and Megadeth, became legendary. The band received rave reviews and full features in prestigious metal publications like Metal Forces, Kerrang!, Hit Parader and Metal Hammer. In 1987, Destructor entered Beachwood Studios with engineer Jim DeMain to begin recording their second album “Decibel Casualties”. The album, along with Jag Panzer’s “Chain Of Command”, was going to help launch a joint venture between Auburn and major label Island Records. Unfortunately, both projects never saw the light of day. Several months into the Destructor recording sessions, bass player Dave Iannicca was innocently murdered on January 1, 1988. The incident devastated both the band and Auburn president Bill Peters, who had been a good friend of Dave’s over the years. Coping with losing a ‘family’ member was very difficult for everyone to overcome. Destructor needed time to recover from the tragedy and were in no condition to begin playing music again. Peters struggled with his emotions and his dealings with Island Records, who took more of a business stance on the whole situation. Peters eventually decided to walk away from the entire 3-year label deal. It was a tough decision but the right one he felt to make at the time.
Over the next several years, Destructor struggled to keep things going. They went through several bass players trying to move forward but the chemistry continued to be missing. During these years of uncertainty, the band did manage to go into the studio and finish one song from the “Decibel Casualties” sessions, “Storm Of Steel”, for Auburn’s 1990 “Heavy Artillery” compilation. The compilation was dedicated to Dave Iannicca. Unfortunately, the revolving door of bass players continued to take its toll, forcing the band into hiatus in the early 90’s. Destructor resurfaced in 1999 when Listenable Records reissued the “Maximum Destruction” album. Inspired by the rejuvenated interest from the reissue, Destructor entered the studio in 2000 to begin recording new material. After hearing the final mixes, Listenable expressed no interest in releasing the album and decided to drop the band from the label. Bass player frustrations continued to haunt the band and the album was never released. A song from those sessions, “The Triangle”, appeared on the Heavy, oder was!? “Metal Crusade-Vol. IV” compilation.
Finally in 2002, Destructor connected with Boulder bass player Jamie Walters. Although several years younger than the band members, Jamie had been a long time Destructor fan and had seen the band on a number of occasions over the years. Both parties hit it off immediately and Destructor were back on track. Jamie was the missing piece to the puzzle the band had searched for so long and hard. Then in January of 2003, Destructor and Auburn officially reunited. The two parties had been talking for nearly a year and had been unofficially working together since the summer of 2002. Peters challenged the band to write new material and the band delivered with an amazing batch of originals that followed in the same tradition as the “Maximum Destruction” album.
Destructor entered 609 Recording with engineer Don Depew (Breaker) in the Spring of 2003 to record “Sonic Bullet”. The EP, released in the Summer, includes 5 new recordings (“Sonic Bullet”, “Heavy Artillery”, “Silent Enemy”, “Blackest Night”, “Master Of The Universe”), two tracks from the previously unreleased 2000 sessions (“G-Force”, “The Triangle”) and two ‘live’ tracks recorded in 2002 at the Classic Metal Festival (“Pounding Evil”) and at the band’s opening set for Slayer in Cleveland (“Iron Curtain”). The Summer of 2003 has seen a lot of activity from Destructor on the concert front. They performed at two major festivals, the BW&BK “6-Pack Weekend” in Cleveland (headlined by Candlemass and Trouble) and the Bang Your Head in Balingen, Germany (headlined by Twisted Sister and Dio), and opened the Iron Maiden/Dio/Motorhead Cleveland tour date. The band are currently finishing up writing new material and plan to enter the studio next year to begin recording a new full-length.
RHYTHM OF FEAR
“Ancient Deception” 2011 EP.
“Mass Illusion” 2015 EP. Tape on Injustice Records
“Maze Of Confusion” 2016 Full Length – CD Self Released – LP Released by Panic Records
The original WRATH from Chicago-land!!!
Forged in 2000, MALAS have been conjuring their brand of skull thrashing METAL. Members from the 1990’s bands MALDICION & LORD BLASPHEMER have maintained the bone crushing Chicago sound influenced by CELTIC FROST, SLAYER, SODOM, etc. “Their live show is an assault to the senses. Blasting & thrashing a fierce attack of death metal”. In 2004, they released a three song sampler which was the catalyst to the full length cd titled “Conquest.” The 2005 release was done with three Indie labels, Sempiternal Productions, Utterly Somber Creations and MALAS’ own Maldito Records. The second demo titled “King of Thieves” was released in 2010. Our second full length release, “Path to Holocaust”, blisters its way through Hell and back. This record was made possible by the efforts of Utterly Somber Creations and Maldito Records. “Path to Holocaust” is available now! We invite you to check out our live shows, music and website. If you would like to book the band for a show or purchase a cd or shirts, please contact us. email: email@example.com