Weedeater was born the mid-’90s, in Wilmington, NC, originally taking shape as a side project of vocalist/bassist “Dixie” Dave Collins, who was otherwise engaged with sludge metal cult favorites Buzzov*en at the time. However, upon that band’s official demise in 1998, Collins was free to concentrate his efforts on Weedeater, which released two sludgecore albums to kick off the new millennium: 2001’s And Justice for Y’All and 2002’s Sixteen Tons, both produced by stoner specialist Billy Anderson. Collins later decided to tour briefly as bass player for Bongzilla and also found time to lend his four strings to Wilmington neighbors, Sourvein, but continued to work with Weedeater guitarist Shep and drummer Keko, touring relentlessly over the years, with the likes of C.O.C. and Alabama Thunderpussy. Busy as he was, Collins and co. finally got around to recording their third long-player, God Luck and Good Speed, which was release through Southern Lord in 2007. ~ Eduardo Rivadavia, Rovi

Tristan Shone, the creative core of Author & Punisher, started the project in 2004, setting out to craft devices (machines) as a force multiplier. That he could control machines to trigger a myriad of sound objects (synths et al.) was not just heuristic but revolutionary. Shone’s mechanical engineering and art background functioned perfectly as a catalyst to his songwriter form. To date, Author & Punisher has seven lauded full-lengths and one EP, the latest of which is Krüller. Shone’s unconventional yet assiduous methods with music and machine have landed crucial collaborations with Perturbator’s James Kent, and Tool’s Danny Carey and Justin Chancellor, who appear on Krüller tracks “Misery” and “Centurion,” respectively.

Over two decades, TODAY IS THE DAY has toured the world with Motörhead, Helmet, The Melvins, Morbid Angel, Converge, NapalmDeath, Neurosis, Eyehategod, Unsane, and many more. The current lineup consists of founder Steve Austin, drummer Jeff Lohrber and bassist Sean Conkling.

In a scene that has become largely repetitive, nostalgia driven, and prone to navel gazing, few bands stand out as breaking new ground. With their sophomore full-length ‘Blood from the Lion’s Mouth’, BARISHI demonstrate that it is still possible to challenge the established formulas of the metal genre by recombining its musical DNA.
There is an undeniable progressive undertone in their modern approach to hard guitar based music, but at the same time, the Americans delve into the darker side of extreme sound that defies the happy fret-fingering all too often employed by their peers.
BARISHI were formed by guitarist Graham Brooks, bassist Jon Kelley, and drummer Dylan Blake in Southern Vermont in the spring of 2010. The US band originally performed as an instrumental trio throughout the east coast of the United States, which they relentlessly toured. Their unique style of gritty progressive metal was completed with the addition of vocalist Sascha Simms in 2012. They have shared the stage with everyone from Mastodon to The Flaming Lips. In 2016 the quartet completed a U.S. tour with Weedeater, Author&Punisher and Today is the Day. They are set to release their much anticipated label debut ‘Blood from the Lion’s Mouth’ September 16th, 2016 on the esteemed Season of Mist record label.
BARISHI provide the listener with earth-shattering grooves and savage vocals born in the verdant mountains of Vermont. Prepare to be pounded on and thunderstruck with ecstatic metal from the ancient hills of New England.