Los Angeles-based neo-classical extreme metal mavens Exmortus return on new album, “Necrophony.” Four years in the making, the group’s sixth album offers nothing but savage rebirth and fierce renewal. “Necrophony” marks a significant turning point—one foretold by the Legions of the “Undead” EP in 2019—for the Angelenos. Not only have they emerged from the throes of the pandemic stronger, faster and crazier, they’ve signed on to global metal powerhouse Nuclear Blast. The passion and fury of lead-off single “Oathbreaker” is merely the tip of Exmortus’ darkest tower. Follow-on singles like the powerful “Mind of Metal” and “Storm of Strings,” a whistle-stop, no-joke cover of Greek-American composer Yanni interpreting Vivaldi’s “The Storm,” add greatly to Exmortus’ masterly oeuvre.
Exmortus was founded in 2002. The group issued a bevy of well-received demos and EPs that culminated in debut In Hatred’s Flame in 2008. Since then, Gonzalez—now flanked by specialists Phillip Nuñez (bass), Chase Becker (guitars), and Adrian Aguilar (drums)—has gone on to release four more fan-favorite full-lengths. Exmortus have toured with Amon Amarth, Obituary, Death Angel, and more, playing gigs in North America and Europe. The group’s highlights have also included a stint with thrash legends Exodus at industry lighthouse event NAMM and a coveted spot on the 70000 Tons of Metal cruise. Necrophony, a portmanteau of “necro” and “phony” (or “dead sounds”), is Exmortus bigger, badder and wickedly restless.
Written from a fresh slate, Necrophony’s origins can be traced to preludes “Masquerade,” “Overture,” and the intro to “Children of the Night.” Once Exmortus had the feel down, they settled on expanding on the motifs by forging Viennese sophistication with metal might. Careful observers will hear Exmortus’ clever use of the album’s musical theme throughout its 12-song range. That includes “Darkest of Knights” and the aforementioned “Children of the Night,” as well as Necrophony’s shorter bursts of bravado in “Oathbreaker” and “Beyond the Grave.” The most important attributes were, however, vibe and Exmortus’ careful crafting of their next-gen sonic fingerprint.
Whereas previous albums up through 2018’s “The Sound of Steel” have been predicated on heroic fantasy/sword & sorcery, Necrophony turns a decidedly darker page. Exmortus have gone from a “Conan the Barbarian” and “Gladiator” aesthetic to something blacker, more nefarious as illustrated by the eeriest and evilest Lovecraftian and Tolkien-esque tales. There’s even a classic horror thing happening. This is, of course, a reflection of our immediate world, and the darkness that’s engulfing everything in it.
Exmortus invited Renaissance man Zack Ohren (Fallujah, Immolation) to return as engineer, producer, mixer and mastering ace on Necrophony. Certainly, the team that had cemented the group’s three previous albums into the annals of metaldom was going to work yet again. With Ohren at the helm, Exmortus holed up in Sharkbite Studios in Oakland, CA. Necrophony was fast-tracked in just under two weeks. The result is a clap of virtuosic metal sure to leave fans battered, bloodied, and hungry for more violent opulence.
With “Oathbreaker,” “Mind of Metal” and “Storm of Strings” ringing darkened ears Exmortus’ paroxysmal ascent to extreme metal’s upper echelons is guaranteed with Necrophony. Bow in reverence to the high-flying, six-stringed dynasts now.
Generation Kill is an American thrash metal band formed in New York City in 2008 by Rob Dukes (ex-Exodus). Dukes, on hiatus from touring with Exodus, wanted to funnel his excess creative energy and aggression into something new. Currently the band is recording the follow up to “We’re All Gonna Die”, teaming up once again with producer Zuess (Hatebreed, Rob Zombie). The new album will feature several special guests including long-time friend and former Exodus bandmate Gary Holt.
Shrieking out of the infamous California Bay Area metal scene is Hatriot – a second generation American metal act with pedigree. Consisting of Cody and Nick Souza, sons of Steve “Zetro” Souza (Exodus) on vocals/bass and drums respectively, along with guitar titans Kosta Varvatakis and Miguel Esparza, Hatriot are ready for world domination. With music that stays true to the Bay Area thrash sound while evolving to today’s standard of multi-tone vocals, death metal elements, melodic hooks, and face melting dual-guitar solos, some say Hatriot are hard to classify. After four solid releases through Massacre Records including 2022’s “The Vale Of Shadows” and array of concerts in both The United States and Europe; Hatriot aims to play in front of every metal fan in the world, carrying the torch for the next generation. Hatriot is: Cody Souza: Vocals / Bass Kosta V: Guitar Nick Souza: Drums Miguel Esparza: Guitar
Head banging thrash metal delivered with a passion and energy unrivaled
Thrashing from the Chicago Southlands, Backlash indoctrinates audiences to their live performances with diverse heavy riffs, robust bass, powerful and guttural vocals accompanied by precision drum grooves. Releasing their debut LP in 2021, “Colossus”, Backlash have since played throughout the midwest with bands such as: Cavalera Conspiracy, Warbringer, and Exciter. Crowned the victors of the fall 2022 Dirtbag Michigan Metalfest competition, Backlash have since released their emphatic thrash anthem “False Flag” to commemorate the achievement. Slated to release their second full length LP in 2024 – Backlash continues to raise the bar in terms of authentic live performance, songwriting and imagery.
For fans of Metallica, Megadeth and Pantera