EXCITER is a Canadian speed metal band from Ottawa, formed in 1978 and are widely considered to be one of the first speed metal bands and a seminal influence of the thrash metal genre. Their 1983 debut record, Heavy Metal Maniac, is largely accepted as one of the first speed/thrash metal records and is quoted as being a main influence for some of the biggest names in metal today. Throughout the 80’s the band released several pivotal records on Megaforce, Noise, & Music For Nations and toured with the likes of Motorhead, Mercyful Fate, Manowar, Megadeth, & Accept. The band currently consists of original members Dan Beehler (drums/vocals) & Allan Johnson (bass) who are joined by guitarist Daniel Dekay. Known for their energetic, tight, and deafening performances, the band plays material from across their entire legendary Beehler fronted catalog & have remained very active with shows all over the world.

1984 saw the birth of Canada’s finest extreme metal outfits, a band whose ideals would not permit compromise, whose conviction would lead to eight releases, and an equal number of years fighting an uphill battle. No mere bandwagoneers, this quartet were out to permanently fuse metal with insane aggression and violence, pummeling listeners with aural and mental fists. This they have undoubtedly achieved, and continue to foster to this day.

At War was formed in 1983 by guitarist Shawn Helsel, bassist and vocalist Paul Arnold. and drummer Dave Stone. Originally trying out vocalists they quickly decided that the brutal form of metal they had envisioned could only be brought forth by Arnold’s growling vocals.
June of 1985 saw the release of At War’s first demo entitled “Eat Lead”. The two song demo consisted of the songs “Rapechase” and what has turned out to be At War’s anthem, “Eat Lead,” and immediately received excellent reviews from fanzines and magazines; it was high on rotation on many college radio stations in the US and had an even better reception overseas. It was because of this demo that At War had been dubbed by Spin Magazine as “America’s answer to Motorhead.” This demo garnered At War much attention and an appearance on the now legendary compilation “Speed Metal Hell” issued by the relatively new label from California, New Renaissance Records for the song “Eat Lead.” This compilation is the Holy Grail among metal collectors all over the world. This led to their first full length release ” Ordered to Kill” in 1986. So well received was this album and subsequent tour that new Renaissance decided to put the second song from their “Eat Lead” demo, “Rapechase,” on their next compilation, “Speed Metal Hell II,” now also a collector’s item. After more touring and on a roll, At War immediately booked studio time with the great Alex Perialas at Pyramid Sound to produce their awesome 1987 release “Retaliatory Strike.” With Rob “Wacko” Hunter co-engineering this masterpiece, At War’s place in the world of metal was solidified. At War toured relentlessly through the eighties and early nineties when negotiations began to break down with New Renaissance and the music scene was in the midst of a huge change. Around 1994 At War recorded material for their follow up to “Retaliatory Strike,” but were never really happy with the recordings, so it was never released. At War played its last show around this time.
Dave Paul and Shawn remained close friends and At War never officially called it quits. There were several attempts to revive the band during the late nineties and early 2000’s, but with families, and businesses to run, it was just not the right time.
Fast forward to 2006. The amount of fan pressure had been and was so intense along with the resurgence of the thrash metal movement, At War felt the time was right to get moving again and take care of unfinished business. Determined to put the brute force of At War back in the faces of the legions of dedicated fans, they are back at it with the original lineup. In 2008 At War is started working on their latest release “INFIDEL” and went back to their roots on the new material, and included a few songs that were written during the “Retaliatory Strike” sessions. At War also fulfilled a career dream by finally getting over to Europe in 2008 when they played the “Thrash Assault II Festival in Wuerzburg Germany in February to a huge crowd of Germanys’ most avid metal fans. The crowd response was so intense, they were invited back to Hamburg and played at the “Headbangers Open Air” Festival in July. The weekend prior to heading back to Germany, At War made their first appearance in Mexico City Mexico to play at the infamous “Circo Volador”. This marks a milestone for At War as they have always had a devoted following in Central and South America, and the fans finally got a chance to see At War. Talks are in the works to bring At War to Brazil, Columbia, and many other South American countries along with Japan and Europe.
In September of 2008 At war signed a new deal with Heavy Artillery Records for the release of their new CD “Infidel”. Released on August 18th 2009 to rave reviews At War’s has concreted their return and relevance in the underground metal scene. Infidel was recorded in January of 2009 at Pyramid Sound with famed Metal producer Alex Perialas (Testament, Overkill, Nuclear assault etc.) This pairing has proven to be a perfect partnership, with Heavy Artillery’s network, intense knowledge of the metal scene and their enthusiasm with At War.
At War is back with a vengeance, all due to their rabid fan base. Keep your eyes and ears out for At War!!

Destructor, Cleveland, Ohio’s legendary premier power/thrash band, return to Auburn with their new 2003 “Sonic Bullet” release. The extended EP contains 46 minutes and 9 tracks of ripping, over-the-top, pounding Destructor-style molten heavy metal!

Auburn president Bill Peters’ first encounter with Destructor was seeing the band perform their very first ‘live’ show in 1984 at The Pop Shop, a club managed by Chris Andrews and located beneath the historic Cleveland Agora. Already working with bands such as Breaker and Shok Paris at the time, Peters fell in love with the band’s untamed energy, great songwriting, wild spirit and charismatic stage presence. The Cleveland metal scene was dominated at the time with ‘technically’ great sounding bands. Many questioned why Peters would choose to work with a band such as Destructor and how he could possibly record and capture the band’s energy in the studio. After all, Destructor were considered to be one of the area’s most ‘anti-technical’ of bands at the time. Despite the rough edges and regardless of the criticisms, Peters had a vision that Destructor could develop into something special and saw something in them most of his industry peers did not. He took a chance and moved forward, signing Destructor to his Auburn label in 1984. The band entered Suma Recording Studios to begin recording their debut album with engineer Paul Hamann at the helm. Destructor’s “Maximum Destruction” album, released the following year in 1985 on Auburn Records, is considered by many to be an underground metal classic and quickly silenced the critics. It became Auburn’s biggest seller and catapulted the band to international success in the metal underground. The album was licensed to Roadrunner Records in Europe several months after the initial release and later reissued by Listenable Records in 1999. Destructor’s crushing ‘live’ performances in the area, both headlining and opening for national acts such as Anthrax, Slayer and Megadeth, became legendary. The band received rave reviews and full features in prestigious metal publications like Metal Forces, Kerrang!, Hit Parader and Metal Hammer. In 1987, Destructor entered Beachwood Studios with engineer Jim DeMain to begin recording their second album “Decibel Casualties”. The album, along with Jag Panzer’s “Chain Of Command”, was going to help launch a joint venture between Auburn and major label Island Records. Unfortunately, both projects never saw the light of day. Several months into the Destructor recording sessions, bass player Dave Iannicca was innocently murdered on January 1, 1988. The incident devastated both the band and Auburn president Bill Peters, who had been a good friend of Dave’s over the years. Coping with losing a ‘family’ member was very difficult for everyone to overcome. Destructor needed time to recover from the tragedy and were in no condition to begin playing music again. Peters struggled with his emotions and his dealings with Island Records, who took more of a business stance on the whole situation. Peters eventually decided to walk away from the entire 3-year label deal. It was a tough decision but the right one he felt to make at the time.

Over the next several years, Destructor struggled to keep things going. They went through several bass players trying to move forward but the chemistry continued to be missing. During these years of uncertainty, the band did manage to go into the studio and finish one song from the “Decibel Casualties” sessions, “Storm Of Steel”, for Auburn’s 1990 “Heavy Artillery” compilation. The compilation was dedicated to Dave Iannicca. Unfortunately, the revolving door of bass players continued to take its toll, forcing the band into hiatus in the early 90’s. Destructor resurfaced in 1999 when Listenable Records reissued the “Maximum Destruction” album. Inspired by the rejuvenated interest from the reissue, Destructor entered the studio in 2000 to begin recording new material. After hearing the final mixes, Listenable expressed no interest in releasing the album and decided to drop the band from the label. Bass player frustrations continued to haunt the band and the album was never released. A song from those sessions, “The Triangle”, appeared on the Heavy, oder was!? “Metal Crusade-Vol. IV” compilation.

Finally in 2002, Destructor connected with Boulder bass player Jamie Walters. Although several years younger than the band members, Jamie had been a long time Destructor fan and had seen the band on a number of occasions over the years. Both parties hit it off immediately and Destructor were back on track. Jamie was the missing piece to the puzzle the band had searched for so long and hard. Then in January of 2003, Destructor and Auburn officially reunited. The two parties had been talking for nearly a year and had been unofficially working together since the summer of 2002. Peters challenged the band to write new material and the band delivered with an amazing batch of originals that followed in the same tradition as the “Maximum Destruction” album.

Destructor entered 609 Recording with engineer Don Depew (Breaker) in the Spring of 2003 to record “Sonic Bullet”. The EP, released in the Summer, includes 5 new recordings (“Sonic Bullet”, “Heavy Artillery”, “Silent Enemy”, “Blackest Night”, “Master Of The Universe”), two tracks from the previously unreleased 2000 sessions (“G-Force”, “The Triangle”) and two ‘live’ tracks recorded in 2002 at the Classic Metal Festival (“Pounding Evil”) and at the band’s opening set for Slayer in Cleveland (“Iron Curtain”). The Summer of 2003 has seen a lot of activity from Destructor on the concert front. They performed at two major festivals, the BW&BK “6-Pack Weekend” in Cleveland (headlined by Candlemass and Trouble) and the Bang Your Head in Balingen, Germany (headlined by Twisted Sister and Dio), and opened the Iron Maiden/Dio/Motorhead Cleveland tour date. The band are currently finishing up writing new material and plan to enter the studio next year to begin recording a new full-length.

Ryan Waste-Bass,Vocals / Nick Poulos-Guitar / Felix Griffin-Drums 

Power/Speed Metal from Chicago