DORO Pesch is a living legend! And now the entire world knows it, after the “Queen of Rock & Metal” has received her first ever “Legends-Award” at England’s renowned “Golden Gods Awards” on July 17th 2013 at O2 Arena, London. On September 13th in Berlin 2013 DORO received the “Legend” Award from Metal Hammer Germany.
A true highlight of a career, already going on for three decades.
DORO can look back at a really unique journey in the music business. DORO, in numbers this means: Gold and platinum awards for about 10 million sold records, over 2.800 live shows on four continents and in 60 different countries of this world, 16 studio records, four DVD’s. Countless cover stories on all important Music Magazines and millions of overwhelmed fans around the globe.
At the age of 16 DORO started playing in her first bands, but the story of her success began with her band WARLOCK in 1982 and the first album “Burning The Witches”, 1983: the first steps of a world career, that in 1986 got her to perform at the legendary “Monsters of Rock” Festival at British Castle Donnington, as the first ever female musician – and in front of 120.000 frenetic fans.
The same year DORO and WARLOCK took the chance to support JUDAS PRIEST on a world tour. At this point DORO decided to finally quit her job as a graphic designer and to entirely enter the music business, with all her heart, body and soul. On giant world tours in the USA, South America, China, Japan, Australia and Europe DORO conquered a huge fan base. In Spain and Russia she is worshiped like a goddess. Additionally she has done mega-tours with icons such as Ronnie James Dio, the SCORPIONS or MOTÖRHEAD.
Born out of the West Coast Metal scene of the 80’s, Metal Church quickly became one of the standout talents of the genre. After signing a deal with Elektra records, they released two critically acclaimed albums. Their self-titled release “Metal Church” postured the band as one of the pioneers of the thrash/metal scene. The All Music Guide had this to say about the debut: “The band’s incredibly tight musicianship is a highlight all on it’s own. This album remains an overlooked classic of straight-ahead American-bred heavy metal.” With the heavy metal scene starting to rise in the U.S., Metal Church set out on a very successful tour with label mates Metallica.
Next came “The Dark,” the fury of its opening track, “Ton of Bricks” was championed as one of the premier metal releases of the 80’s. The Dark also led to one of a few lineup changes with the departure of vocalist David Wayne. However, more success was yet to come. With the addition of former Heretic vocalist Mike Howe, and Metallica guitar tech extraordinaire John Marshall, the riffing became heavier and the subject matter deeper. They tackled political and social issues of the day with the releases of “Blessing In Disguise” and “The Human Factor.” At a time when heavy metal bands moved from the underground and became part of the hair band/pop fad, Metal Church stayed true to their roots.
During the mid 90’s, the members of Metal Church headed in their own directions. Kurdt Vanderhoof worked on his namesake project, Vanderhoof, while Kirk Arrington was playing on various sessions including a recording with Sir Mix-A-Lot. 1999 led to a well-received reunion of the original Metal Church lineup with the release of “Masterpeace”. The band went back to their classic sound and played several festivals overseas.
2004 saw them back with a new vocalist, whose style has been described as “Rob Halford meets Dio”, as well as Jay Reynolds (Malice) on guitar and Steve Unger on bass. With a new record “The Weight of the World” and some new blood, heavy metal legends Metal Church picked up where their aptly titled last release “Masterpeace” left off.
In 2006, twenty years after their cult album “The Dark”, Metal Church presented their brand new release, “A Light In The Dark”, forging a creative arch that skillfully links the band’s past with the present. Ten new tracks, (plus a new version of the classic “Watch The Children Pray”, a tribute to original frontman David Wayne), document the development of a band that, despite all innovation, has never denied it’s typical trademarks. That lineup consisted of Kurdt Vanderhoof, Ronny Munroe, Jay Reynolds, Steve Unger and new addition Jeff Plate on drums. “Jeff is an incredibly dynamic and professional drummer,” Vanderhoof points out. “He has propelled us to a musical level that surprised even ourselves.” Plate has replaced Kirk Arrington, who left the group for health reasons, and proves a real stroke of luck on “A Light In The Dark”.
In 2008, guitarist Jay Reynolds was replaced by Rottweiler guitar player Rick Van Zandt. This Present Wasteland, Metal Church’s ninth release, is a return to their roots and contains some of their strongest material to date.
In 2013 the band released the highly successful “Generation Nothing” but by 2014 singer Ronny Munroe had left the band to pursue a solo career with his girlfriend.
In 2014 founding guitarist Kurdt Vanderhoof convinced Mike to rejoin Metal Church. “Sometimes I still can’t believe it myself, no one would have ever thought Mike would return after his departure almost 2 decades ago” says guitarist and founding member Kurdt Vanderhoof. “At first I struggled with the decision to come back, but after hearing the riffs that Kurdt was writing, I just couldn’t resist, the music called to me and I wanted to be part of it!” says Mike.
Mike Howe originally joined Metal Church in the late 80’s and released 3 albums with the band: “The Human Factor”, “Blessing In Disguise” and “Hanging in the Balance”. Mike was also the face of group’s popular music videos “Date With Poverty” and “Badlands” that aired during MTV’s heyday.
“Mike’s voice sounds the same as it did 2 decades ago when we were writing “The Human Factor” and the band is about as tight as you can possibly get!” says Kurdt.
Recorded in the spring & summer of 2015 at Kurdt’s studio in Aberdeen, Washington, and co-produced by Chris “The Wizard” Collier, Metal Church “XI” not only combines all the same musical elements that made the Mike Howe era albums so great, but also adds in a modern approach to the recording process which takes this offering to the next level!