Through the tempestuous and suffocating chaos of the void emerges a dual-tongued spectre of dread, as the enigmatic Dead Void unleash their mercurial visions of the deepest, darkest depths of psychological terror, inner torment and heavy, warped and wild Death Metal upon those who will bear witness.
Dead Void has worked in obscurity under the surface for nearly a decade, crafting their unique sound from their own obscure blueprint, eschewing norms and creating Death Metal at its darkest and most heavy and weird. Following a many-times reprinted and sold out demo tape in 2018, the band’s debut album, Volatile Forms, was released in 2022 on Dark Descent Records and Me Saco un Ojo Records, quickly making an impact in the underground press with its unique, unrestrained and unpredictable sound.
Manifesting in current times as a two-piece, this bicephalous form of the arcane and shapeshifting entity that is Dead Void brings extra wildness and intensity while simultaneously being heavier than ever.
Brace yourself for further forays into Cranial Devastation this spring, as the band now finalises their new album scheduled for release before their performance at Maryland Deathfest.
“Volatile Forms is the heaviest album I’ve heard this year… the album resides completely in a world of Dead Void’s making. And there’s something almost indescribably special about that world.” – yourlastrites
“Unpredictable and shapeless, like a formless cavern with no exit” -metalutopia
“A bleak, liminal portrayal of conjuration and merciless aggression resultant ‘Volatile Forms‘ is likely to end up the, or among the, heaviest death metal records released in 2022.” -grizzlybutts
“This music crawls below the surface of your skin, festering, rotting you from the inside out… A sadistic listen that will penalise surface-fan culture and reward true maniacs seeking the diabolical and dark arts of Death Metal.” -nattskog
“Dead Void’s got enough songwriting chops to open a Burt Bacharach-themed steakhouse.” -yourlastrites
Check out this interview with No Clean Singing:
AN NCS INTERVIEW: DEAD VOID