Screamin’ Rebel Angels’ unrelenting and infectious original Rock ‘n Roll has kept the dance floors pulsing, and roofs rattling across stages, airwaves and turntables around the globe since 2011!

Hailing from Brooklyn, NY, this trio’s untamed live performances are high-octane adventures that invoke the primitive energy of 1950s Rock ‘n Roll infused with the soul of early Rhythm & Blues, and invigorated with the raw power of garage punk.

Fronting the band is the true rebel angel, flame-haired beauty Laura Palmer, a versatile multi-instrumentalist well-respected in the world-wide rockin’ musical community.

Equally adept at slapping out the rhythm on an upright bass or picking on a big ol’ Gretsch, Laura Palmer’s on stage presence and powerful vocals command your attention, and delivers on the dime an exhilarating performance that will leave you breathless.

Paired with seasoned professionals and energetic upstarts, the on stage chemistry and skill of Screamin’ Rebel Angels stirs up the same rebellious spirit that first electrified fans at the genres inception, and brings it to a contemporary position for new generations to fall in love with the primal excitement and passion of Rock ‘n Roll.

The Dyes are a raw rock’n’roll trio hailing from Chicago, IL. Often coined as ‘garageabilly’, they’ve dipped into a phonic realm fueled by infectious ’50s and ’60s oldies, approached with an irreverence and vigor that is anything but retro. Frontwomen Lisa and Jill formed the group as teens, then maintained the same line-up since the addition of Charlie back in ’06.  The Dyes’ve had the pleasure to travel around the great US of A a time or two, sharing bills with roots rock luminaries including Johnny Powers, Reverend Horton Heat, JD McPherson, Los Straitjackets, and too many other friends to name!

Their last single “Liza Jane” was featured on Bloodshot Records’ (RIP) 25th Anniversary Comp Too Late to Pray: Defiant Chicago Roots, alongside 21 other Chi-town artists running the spectrum of classic country, bluegrass, rockabilly, folk, and rock. Described as “Cramps-and-Flat Duo Jets-fearing garage power trio spins a sleazy, lo-fi psychobilly take on a pop standard that became David Bowie’s first recorded single.”