Exclusive Record Store Day Releases. Open Early at 8:00am
The early bird gets the best selection. Stick around for In Store Performances by Joan Of Arc (Solo) / Cloud Cult / Flatfoot 56 / The Kickback / Kangaroo / Suns / Magicks / Super Minotaur / Free Drugs / The New Diet
Free Hot Dogs and Soda will be served.
JOAN OF ARC (solo set)
Joan of Arc are an American indie rock band from Chicago, Illinois. They formed in 1995, following the breakup of Cap’n Jazz. Singer Tim Kinsella has been the only permanent member of the group; he has also recorded as a solo artist.
“Suns are back for another round of dragging atmospheric rock into the alley to smack the stars out of its eyes. Armed with their first full length, “When We Were Us,” the band takes a leaner, meaner and more melodic approach to its distinct brand of ribcage-shaking density. The darkness, the drunkenness, the desperation – it’s all still there, but now it digs in with sharper hooks…. Suns plan to self-release “When We Were Us” on lavishly packaged vinyl and digital download, supported by endless touring in their full-size decommissioned school bus. These guys won’t do anything on a small scale and we’re just going to have to get out of their way.” – Sara Enderle
The beauty of Magicks sound is that it is as accessible as it is indecipherable. Although the Chicago native cites hip hop, rhythm and blues and shoegaze as initial influences, the end product is much more. Magicks is a high minister in the “Church of What’s Happening Now”, managing to blend a virtual primer of today’s most influential sounds into one cohesive package that actually sounds good (to even the most jaded critic). This is dreamy pop music crafted by a psychick warrior. Equal parts pleasure and challenge to the modern ear.
Blondie banged New Order. They had kids. We are them. Now we make music.
Familiarizing oneself to The Kickback may seem like an exercise in confronting consistent sets of seemingly opposing ideas: A band that prides itself on its love of Muppet Christmas specials and youthful naiveté but has no problem admitting to a paralyzing fear of death and decline. The group seems to strive for brutal honesty, all-the-while realizing they’re a pop band playing pop music. Even the membership of the group itself may seem odd: one-half brothers from South Dakota, one-half Chicago transplants from Washington D.C. and Mexico.
Comprised of brothers Billy (vocals, guitar) and Danny (drums) Yost, Eamonn Donnelly (bass) and Jonny Ifergan (guitar), Chicago’s The Kickback is a result of the brothers’ emigration to The Windy City from rural South Dakota in late 2009 and the subsequent Craigslist pleas seeking out band members. The group’s music (with songs exploring journalists banding together in the early 1980s to battle the decline of print journalism through sheer ultraviolence to the emasculation of trying to protect the woman you love in a city you don’t understand in a body you know is eventually going in the ground) have earned the group wide praise from Rolling Stone, Sound Opinons contributor Jim Derogatis, You Ain’t No Picasso, the Chicago Tribune, and many more.
After a steady two years of touring and supporting acts like White Rabbits, Smith Westerns, Here We Go Magic, Tapes ‘n Tapes, and Telekinesis (all-the-while earning a reputation as a stellar and explosive live act), the band has released Kill Fee, an EP of live takes and studio recordings. In July, the group announced that it would be recording their debut LP (tentatively titled Sorry All Over The Place, after a footnote in David Foster Wallace’s Infinite Jest) with producer Dennis Herring (Modest Mouse, Elvis Costello, Wavves) at his Sweet Tea studio in Oxford, Mississippi. Following the mastering process (undertaken by Brian Lucey (Black Keys, The Shins, Neko Case), the group will embark on a nationwide tour in support of the release. To document their travels, the band began recording their podcast, Diary of a Disas-tour, in December of 2010 are nearing their 60th episode. The show attempts to address the far-from-glamorized lives of a band on the road and the arrested development indicative of the lives they have chosen.
Playing a positive-natured brand of hardcore-tinged Celtic punk, Flatfoot 56 has been unleashing itself upon America and the rest of the world for over 10 years now. Forming in 2000, the Chicago natives achieved nationwide attention with their first two label-backed records, 2006’s Knuckles Up and 2007’s Jungle of the Midwest Sea. These releases built on a heavy dose of previously established regional notoriety, helping the band gain steam early on.
While each record received its fair share of acclaim, the quintet exploded onto a new level with 2010’s Black Thorn. Landing the band on a total of 9 Billboard Charts, Flatfoot 56 proved it could consistently reach an expanding audience while treading in a genre not often associated with widespread success.
Frontman Tobin Bawinkel (vocals/guitar) is now set to lead Flatfoot 56 on in their furious march forward. Armed with brothers Justin (drums) and Kyle (bass), along with Eric McMahon (bagpipes/guitar) and Brandon Good (mandolin/guitar), Flatfoot 56 is now preparing to enter the studio again to record its fourth label-backed studio album.
THE NEW DIET
We are a rock band and we love you. Hop in our marsupium and let’s go for a ride!
Cloud Cult developed in 1995 as a solo studio project of Craig Minowa. His first full length album, “The Shade Project” caught the interest of a few small independent labels who urged Minowa to consider performing the songs live. Craig worked the next four years on a new studio project which would be the first official Cloud Cult album, “Who Killed Puck?”. Sarah Young appeared on this album for the first time on cello and Eduardo Vaz assisted with drums on a few of the songs. Minowa’s early work earned Cloud Cult several offers from record labels, but all were rejected in favor of self-publishing and maintaining total control over the ethical aspects of the business practices.
In 1999, lead singer Craig and Connie Minowa formed Earthology, a not-for-profit environmental organization that would later gain its nonprofit 501c3 status. Craig worked on developing the Earthology Records branch, which was focused on helping to green the music industry. Earthology Records would become the homegrown powerhouse where all of the band’s booking, publicity, CD replication, t-shirt production, and recording would take place. Through Earthology, Minowa developed the first 100% postconsumer recycled CD packaging in the U.S. market.
Earthology Records was later moved to an organic farm, powered by geothermal energy and built partially from reclaimed wood and recycled plastic. Minowa co-developed the first 100% postconsumer paperboard cd jewel-case, and the band began zero net greenhouse gas practices for tours long before it was trendy to be green. The band’s merchandise is 100% postconsumer recycled or made of certified organic materials. Cloud Cult has planted several thousand trees to absorb the band’s CO2 output. They also donate heavily to projects that build wind turbines as revenue generators on Native American Reservations.
In the year 2002, shortly after the unexpected death of his two year old son Kaidin, Minowa wrote over a hundred songs to deal with the loss.They Live on the Sun was finished in 2003 and went to #1 on college radio station charts across the country. Since that album, Cloud Cult’s music has been strongly inspired by the loss of Kaidin and the “big picture” issues of life: “who are we, why are we here, where did we come from, where do we go”. Minowa seems in constant pursuit of the light at the end of the tunnel. The success of the album convinced Craig to create a live band to perform the album’s songs. Minowa added Dan Greenwood to the band roster on drums. The first live shows consisted of a three piece: Craig, Sarah and Dan.
In January 2004, Cloud Cult added Mara Stemm on bass and released “Aurora Borealis” just six months after They Live on the Sun. Shortly after, Cloud Cult was nominated by the Minnesota Music Awards as “Artist of the Year” along with Prince and Paul Westerberg. With a van covered in solar panels, the band began touring nationally. Cloud Cult’s stage show began to garner the attention of national press, as they included two live painters on stage, Connie Minowa and Scott West, as well as back screen video and performance artists.
In 2006, Cloud Cult released “Advice from the Happy Hippopotamus”, which Pitchfork Media called “insane genius” and rated the album with an 8.3. The Denver Post ranked the 2007 release “The Meaning of 8″ as one of the top ten albums of the past decade, along with bands like Modest Mouse, The Flaming Lips and Radiohead. During that period, Matthew Freed replaced Mara Stemm on bass and the band began to work with different violin players, ultimately discovering Shannon Frid who joined the band full time on violin. The band received offers from major labels but continued to turn them down in favor of maintaining control of their art and environmental efforts.
Cloud Cult released the album entitled “Feel Good Ghosts (Tea-Partying Through Tornadoes)” on April 8, 2008. As with the past Cloud Cult albums, the album was recorded and produced at Minowa’s small organic farm in Northern Minnesota. “The place is so far out in the boonies, you can barely find it, because it’s not on the maps,” said Dan Montalto, an MTV Producer who brought a camera crew to the farm to film a short MTV feature on the band. Arlen Peifer replaced Dan Greenwood on drums and Shawn Neary replaced Matt Freed on bass.
In October 2008, Cloud Cult was featured in an animated Esurance commercial that aired during the Super Bowl. The band is shown playing their song “Lucky Today” while floating on clouds and promoting ecological driving practices. In exchange for the work, Esurance helped fund some of the band’s costs for greening the recording of albums. During 2008 and 2009, the band’s growth continued, with a heavy tour schedule and appearances on MTV, Carson Daly, Rolling Stone, Spin and a plethora of other media outlets.
In the Spring of 2009, Cloud Cult released “No One Said It Would Be Easy” a full length documentary about the band, created by John Burgess and Scott West.
At Coachella 2009, Craig revealed that Connie would not be performing because she was “not feeling well…. she’s pregnant.” The band toured nearly up until Connie’s due date and took a break from touring with the birth of their new child. During this downtime, Minowa worked heavily on a new Cloud Cult album, and the band released a new version of “Lost Songs from the Lost Years” a collection of previously unreleased songs spanning the band’s 15 year history.
The band took up touring again with the 2010 release of “Light Chasers”, which would be Cloud Cult’s first album to make it onto the Billboard Charts. Meanwhile, Craig has been increasing his work-load of scoring Cloud Cult type music for National Geographic documentaries.
The band will be releasing a new full length album on March 5, 2013, Presale began on the Cloud Cult website in December. The Cloud Cult documentary, “No One Said It Would Be Easy” will be available on iTunes and Google Play in early 2013.